MAR 2007
It’s been fifteen months since the publication by the Danish newspaper Jyllands-Posten of a series of cartoons depicting the prophet Mohammad, and the resulting furor in the Muslim world over what was considered a blasphemous violation of a central tenet of Sunni Islam—the prohibition of visual representations of the prophet. Though the riots have stopped and the flames coming from Danish flags and embassies have been extinguished, the controversy over where to draw the line between free speech and criticism of Islam persists. In September, Pope Benedict XVI quoted from a fourteenth-century text that referred to some of Mohammad’s teachings as “evil and inhuman,” touching off more riots. Later that same month, the Deutsche Opera postponed a performance of Mozart’s “Idomeneo” because of a scene that depicts the severed heads of Mohammad, Jesus, Buddha, and Neptune. Flemming Rose, the culture editor of Jyllands-Posten, claimed he solicited the cartoons to assert freedom of speech and to resist the self-censorship crippling the West when it came to “accommodating Muslim sensitivities.” In January, CJR ’s Alia Malek interviewed Rose by telephone about the cartoons and their consequences. [full story]
